My body of Neil and Nile, Ik Karmani closing

My body of Neil and Nile, Ik Karmani closing

Just a few months ago, ‘Sultana Apa was talking on a press release. After reading the whole page, Apa said, “Look, the subject of the first drama is covering the subject of halal but the purpose is not to talk about halal, while the ignorant is also revolving around the drug, but the purpose is also mobile. The third drama is on a lightweight topic and revolves around the tuck, but in this we also want to convey the message to people that they should not be seduced. Let’s ‘do not play in the hands of the people or else the oppressed will continue to be killed in the society’.

After hearing the whole matter, the press release was ready. In this regard, Sultana Apa also spoke to everyone ‘. He answered every question that someone wanted to know because the purpose of making this mini series is not just a drama but to the public. The message was to be conveyed and finally through the Nile and Nile, she was able to convey her message to the world where the TV is seen.

This Ramadan, from the Sandella of 2025

Just ten minutes before the end of the play, when laughing, ‘slowly on the paths of love, the drama suddenly changed its direction and appeared to be Sonu’ Rabi and Moon, who saves their lives for fear in the eyes, ‘If you do. On the screen, we remember the same events even if the pictures of Mardan’s Mashal Khan, Munib and Mughees, Sri Lankan citizen Prantha Kumara and others were not shown. Too

It was not easy for the scene to say, ‘The one who saw the eyes of the tears of tears’, to tell this story of helplessness, and some in the darkness that affecting the hearts was not so easy. Disasters arose at every step, but it was Sultana Siddiqui who would be afraid of problems.

Before the last episode of the drama, a dialogue said, “How will the old house of Sikhs prove to be a sacred place?” Later everyone has to know. Until it is known, the crowd must have done our job. ” The end was pointing, but because the drama was moving in light, no one went to it.

In the last scene of the play, there is some scenario which is an infamous side of society. In fact, a new turning point in this story occurs when some people accuse a mob of blasphemy. Before the main characters were given the opportunity to say something in their cleaning or they prove their innocence, the angry people raise their hands and axes in their hands, but during all of this, the whole city became spectators. He kept watching and losing his lives.

In the last episode, no one was expected to end, so suddenly the scenes on the screen made people’s minds stalled. A noise that resonated for the next three days, at least on social media, at least. In my knowledge there is no platform that has not talked about this topic, and the most interesting thing is that everyone said something that was the vision of Sultana Siddiqui, that is, work with your mind. – This fire can burn not only for others but also your own home.

Haniya Aamir and Diljit discuss the film news together

Sexual harassment with men in the Nile and Nile, not to tolerate the denial of the male and the denial of this ego, the killing of the crowd, the hollow marriage of the family and the lives of the people to shine their politics. Topics like playing are best reflected.

Mustafa Afridi’s pen made the story with great skill in such a way that every character of the play looked like a mirror of a fact that we often see. Such as silence on abuse, never to protest against anyone, and when the mob becomes uncontrollable and turned the protest into a mass murder, do not do anything but Malala and reproach.

Mustafa Afridi’s perfection was scattered on all this sensitivity, and when Saif Hassan woke his magic on it, the color of the story became two fires. The topics presented in these three mini -series were equivalent to closing the river in the coz, and it is the perfection of Sultana Siddiqui, and of course, only Sultana Siddiqui could do what we saw on the screen. May Allah protect people who think of not only themselves but everyone.